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A Compilation to Be Smuggled by Tourists into North Korea

by Steve Fitch

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1.
Theme A-1 03:10
2.
BBQ 03:22
flesh charred in petrochemical fire flesh charred in petrochemical fire flesh charred in petrochemical fire flesh charred in petrochemical fire you eat can’t beat taste treat barbebarebebarbecued meat with knife and fork no spoon barebarbebarbecued pork beyond belief this taste barebarbebarbecued beef must call first dibs to get barebarbebarbecued ribs © 2016 Steve Fitch My Music by Me Music (BMI)
3.
I know those people as they hope you never will; what they keep alive and what they choose to kill. I’m no longer there to play the tragic stand-in nor what role the audience was demandin’. I walked off the play. It had to be that way. The only secret which cannot be kept is bigger than the carpet under which it’s swept. All has been revealed with motives naked, with the truth so candid it had to be fak-ed, ‘cause lies are all they say. They have to be that way. One synapse between complicit and conspiracy; witnesses who don’t hold their tongues will not go free. They’ve lived so long that way that they can’t ‘fess-up when someone might object to how they mess-up, ‘cause they have to have their way, no matter what you say. © 2016 Steve Fitch
4.
“Hey, don’t I know you?” What is it this time? Another expression like I shouldn’t exist while it’s enough to pretend I don’t just let me know that you’re still pissed while I don’t want to recall any of you at all But I gottatellya you weren’t a team that I could win with I wouldn’t choose a side to lose It wasn’t my idea, to begin with and I never wanted to play with you that way Most you badass boys and certainly all you bad-news women get away with pissing in the love-pool where you’re swimmin’ until you find that you’re in a pool filled with urine I deserve revulsion for having been so rotten but I reserve the right to be forgotten © 2015 Steve Fitch My Music by Me Music (BMI)
5.
I got my bags, I got my badge; I got all the cred that i can cadge – never mind that Mercury’s in retrograde: it will add some spin to how this played. This is just rehearsal for the Big Reversal. I’m comin’ back from bein’ gone; you think i got it goin’ on – this is on my part no deception, this is just a glitch in your perception. This is just rehearsal for the Big Reversal. Look at me and look relieved – this has to be seen to be believed – so glorious to behold, and yet registering as some kind of threat. This is just rehearsal for the Big Reversal. Any prize, if you can win it, can be taken from you any minute; far less likely is the bestowing of privilege that karma’s long been owing. This is just rehearsal for the Big Reversal. © 2015 Steve Fitch My Music by Me Music (BMI)
6.
Everybody's gone – moved-out, moved-up, or moved-on – my life was just a place to play before they continued on their way. There are old-timers and assiduous-but-stunted climbers and those who drink 'cause they're sad and those who just want me to feel bad. They still come and go, sometimes become folks I'll know, and some I'll wish I never knew – I wish they were among the few. Everybody moved, or disappeared as they'd improved. With so many now behind me, I wait for those who've yet to find me. © 2015 Steve Fitch My Music by Me Music (BMI)
7.
8.
She gets to go I have to stay I have to work She gets to play I’m always wrong and she is right I hate the struggle She loves the fight She has the means I haven’t much She has her world I haven’t such I have nothing She has it all She opens doors I hit the wall © 2016 Steve Fitch My Music by Me Music (BMI)
9.
authoritarian wimp delusional wigger go slignin’ your dick but mine is much bigger i’ll follow you home follow you home follow you home follow you home cowardly bitch self-righteous cunt i don’t want to fight but i love to hunt i’ll follow you home follow you home follow you home follow you home passive-aggression may now be in style but ultraviolence has it beat by a mile i’ll follow you home follow you home follow you home follow you home watch where you’re going watch what you say or you might not live to watch the next day i’ll follow you home follow you home follow you home follow you home © 2016 Steve Fitch My Music by Me Music (BMI)
10.
Realies 03:51
Ah, the wonder, when you find that you'd been lied-to – the fence around the truth, you couldn't scale it if you tried to – the marvel of the engineering of events and archetypes displayed like tearin' up the floors and starin' at the pipes. Someday, you'll realize the real lies. Remember when you'd said what you thought, and you'd meant it? Someone you don't know had been hired to invent it, and through the tube into your brain they had fed it; the righteousness makes you feel worthy of the credit. Eventually, you'll realize the real lies. Beliefs and sense of history, in one gesture, are all fractured when the curtain's cracked on where they're manufactured. When you're certain that what you'd always known is wrong, you'll be left with claiming that you'd known it all along. Don't it hurt to realize the real lies? © 2015 Steve FItch My Music by Me Music (BMI)
11.
So cute, and legs for days – I couldn’t understand her ways, but some things should go without explaining. Someone I might want to know, though I did not not want to go into the zone between instinct and training. She has what men can’t resist, and they might get if they persist, but her vagina says I no longer exist. When I saw her with her man, I could tell she had a plan to dump him soon and hook-up with a new one, by some arcane courtship rite or by getting drunk one night and take her pick of men and just do one. I was at the top of her list, but opportunities were missed; now her vagina says I no longer exist. She has what men can’t resist, but if they do, then she gets pissed, so her vagina says I no longer exist. From the spoils of her game, she’s content with Whatsisname and no longer playing man-roulette. Now I pass her on the street; she won’t allow our eyes to meet, remembering I’m someone to forget. I’d not known that I had dissed a velvet glove on an iron fist. Her vagina says I no longer exist. She has what men can’t resist, but if they do, then she gets pissed, so her vagina says I no longer exist. © 2015 Steve Fitch My Music by Me Music (BMI)
12.
There’s a gulf between the written word and the truth, which by fewer will be heard. The strength with which they believe it depends on they means by which they receive it: they don’t know what they see unless they’re told. The Living Legend’s ramen’s getting cold. Out with old and in with new, through the heart of this culture circulating art – the murderer’s music gets attention, while another’s barely gets a mention because it doesn’t run above the fold. The Living Legend’s ramen’s getting cold. Give ‘em something, and they won’t try it, but they’ll talk it up if they’d been made buy it. Artists cannot hope to make a dime; entertainers get paid just for their time – its worth is just the price for which it’s sold. The Living Legend’s ramen’s getting cold. It’s futility itself, to be unique: no similarities to show it’s what they seek. Something is worth being so desired if one can boast that one’s also acquired that for which they’d auctioned-off the mold. The Living Legend’s ramen’s getting cold. I’d heard about him when I was 20, and nothing since, but stories then were plenty – some weird genius, deranged, and so on, with but one picture for historians to go on, though by now, he’s unrecognizably old. The Living Legend’s ramen’s getting cold. Well, if you'll excuse me, now . . . © 2015 Steve Fitch My Music by Me Music (BMI)
13.
Theme B-2 03:20
14.
No seasons here, just subtle shifts from day to day, as clouds may want to drift; one day secretes the next, a week will smear- out by the month, ’til it’s a year. Arriving early, one learns to wait such that one can’t tell it’s getting late. If I were to leave the walled garden, would my bones disintegrate, my features harden? Our visitors don’t mind paying for the privilege of regressive grown-up playing: events occuring with a theme turn their experience into a dream. The spell of timelessness is cast – forget how long forever really lasts. If I were to leave the walled garden, would my bones disintegrate, my features harden? What they did at first, they’re doing still, perpetually as they were, as they will. Do differently, one won’t even try it, because all the others would deny it to negate things that exceed the constraints that their lives have come to need. If I were to leave the walled garden, I’d feel no remorse, and grant no pardon. © 2015 Steve Fitch My Music by Me Music (BMI)
15.
Demolition 06:22
When the first tower came down we were already gone but it meant that we were never to return The last was pulled five years later The error of the era had been effaced, with too much of a lesson to learn In that time, the man I'd known as the man to look up to reduced to rubble in gradual self-demolition and in his place was erected some facade that masked, but betrayed, a psychotic desperate contrition It was done Thirty-three plus one Thousands of displaced negroes plus his son © 2013 Steve Fitch My Music by Me Music (BMI)
16.

about

All selections previously released – on these albums:
"Defensible Space" (1, 13)
"Whatever Happens" (2, 8)
"Forsaken . . ." (3, 9)
"Frequencies of Use" (4, 5, 11)
"Auto-Save My Life" (6, 10)
"My Dream of Your Dream of My Dream of You" (7)
"Here" (12, 14)
"The Life" (15)
"White People . . ." (16)

Hit Me: mymusicbymemusic.com

credits

released March 26, 2016

All music and recordings © Steve Fitch
Publishing:
My Music by Me Music (BMI)
Compilation © 2016 Steve Fitch
Cover image courtesy of NASA.

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